Documents Similar To Emilio Pujol – El Abejorro. Emilio Pujol – Cancion de Cuna. Uploaded by. Andrés A. Cuevas Tapia. El Abejorro – Emilio Pujol. Uploaded by. Learn & play tab for lead guitar with free online tab player, speed control and loop. Download original Guitar Pro tab. El Abejorro by Emilio Pujol tab with free online tab player. One accurate version. Recommended by The Wall Street Journal.

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Classical Guitar

This name uses Spanish naming customs: With piam there seems to be no limit with the speed but I have balancing problem to get all notes played fluenty and with same volume. Please consider supporting us by disabling your ad blocker on our website. Once you get each finger moving smoothly and independently in its “orbit” then speeding up will not be that much of a problem. Emili Pujol was born in abejirro little village of Granadella just outside LleidaSpain.

This is really the technique he used and not a guess. This page was last edited on 8 Septemberat All the best, Viktor van Niekerk http: A guitar method based on the principles of Francisco Tarrega consisting of four historical and technical volumes:.

It was repeated every summer over a ten-year period, and in it was moved to the thirteenth-century village of Cervera.

This event became quite popular and was attended by students and teachers from throughout the world. In other projects Wikimedia Commons. Try also, Piai which gives the right hand a nice balanced feel.

I think I can increase the speed with hard training but piam feels better for me. Also at this time, Pujol’s first wife Zbejorro Cuervas died At this time, Miquel Llobet was making his debut as a concert artist outside Barcelona.


ME numbers refer to the catalogue number of his publisher, Max EschigParis. However for performance the thing that matters is how it sounds so for performance use whatever fingering makes it sound the way you want it. During the war pujok — he did not travel much and mainly remained in Catalonia.

You mention “The tempo I like to play this piece is equal with Narciso Yepes playing. Waltzes, arr from the piano Paris: InPujol began his guitar classes at the Lisbon Conservatory of Music, which continued through to pujpl Prior to his death, Pujol had begun work on the largest of vihuela music books, the Orphenica Lyra by Miguel Fuenllanapublished in Forum guitare classique – Forum chitarra classica – Foro guitarra clasica – Free sheet music for classical guitar – Delcamp.

Our website is made possible by pjol online advertisements to our absjorro. From throughPujol continued giving a few concerts and lectures as well as pursuing his research in Spain, London and Paris. The beginning signs of World War II also prevented him from continuing his concert career. Views Read Edit View history.

Emilio Pujol

Retrieved from ” https: Seven years later he married Maria Adelaide Robert, a noted Portuguese pianist and singer who greatly assisted him in his final years. In my sheet music fingering is marked to be pimi but I use piam.

The problem is or course the speed. List of compositions by Emilio Pujol. The problem with the p-i-a-m fingering is the lack of independence between a and m. The only major interruptions in his concert travels were his marriage to Matilde Cuervas in Paris, an Andalusian flamenco guitarist, and the period of time he devoted to historical research in Paris into the instrumental predecessors of the guitar.


In he undertook his first tour of South America, starting in Buenos Aires.

If you are interested in the technique Narciso Yepes invented to play “El abejorro” at that tempo as on his recordingit is not pimi or piam, but pami – yes, a tremolo – but m plays a higher string than a and i. From Wikipedia, the free encyclopedia. Retrieved 25 July Board index All times are UTC.

How should this be fingered? By using this site, you agree to the Terms of Use and Privacy Policy. What do you think, should I try to get RH more relaxed to play the whole piece pimi? Classical Guitar Skip to content.

Emilio Pujol – Wikipedia

He considered this book to be the pinnacle of the vihuela school and regarded Fuenllana as the final spokesman for this brief, courtly instrumental period in Spanish music. With pimi I can play a while in a very fast speed pjol RH gets tired after a while. The tempo I like to play this piece is equal with Narciso Yepes playing. Nails must be in good condition also to play like this. Media related to Emili Pujol at Wikimedia Commons.