JOOST SMIERS & MARIEKE VAN SCHIJNDEL. Imagining a world without copyright. Copyright once was a means to guarantee artists of a decent income. About Joost Smiers from the University of Chicago Press website. Bittere tranen, goede moed: er is meer aan de horizon dan Trump en dat is pas écht gevaarlijk. 11 May by Joost Smiers. Currently unavailable.
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From Wikimedia Commons, the free media repository. With Joost Smiers cropped. He lives in Amsterdam.
Joost Smiers – Wikipedia
If the file has been modified from its original state, some details such as the timestamp may not smifrs reflect those of the original file. Institute of Network Cultures, Amsterdam Description With Joost Smiers.
Joost Smiers / European Culture Congress
From the perspective of democracy and fair competition this type of market control is not to be tolerated. Immediately comes jooat mind that copyright provides an investment protection to blockbusters, best sellers and stars.
His Arts Under Pressure. She works in the cultural field in the Netherlands. This image was originally posted to Siers. This page was last edited on 1 Juneat You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. Promoting Cultural Diversity in the Age of Globalization has been translated into ten languages. Retrieved from ” https: At the same time, cultural conglomerates controlling copyright dominate cultural markets by owning the means of production, distribution, marketing and reception of cultural expressions.
The result is a level playing field in which many, and many more artists can make a decent living. See the license information for further details. She lives in Utrecht.
Its license was verified as “cc-by Views View Edit History. The following page uses this file: And even more important effect would be the restoration of our public domain smiera creativity and knowledge.
Summary [ edit ] Description With Joost Smiers. This file is licensed under the Creative Commons Attribution 2.
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The timestamp is only as accurate as the clock in the camera, and it may be completely wrong. Thus, let us imagine what abolishing copyright would accomplish, while we do not hesitate cutting cultural conglomerates into many pieces.
Franco Iacomella Joost Smiers. It distorts cultural markets and pushes a wide variety of cultural expressions out of sight. This file has an extracted image: This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it.
If we recognize that copyright is unfeasible, and unjustifiable, what should our response be?