Pedagogy: AUDITION PREPARATION FOR OBOE- La Scala di Seta. Dr. Shen Wang Chair of the Wind Department, Renmin University of China School of Art. “La Scala di seta oboe audition excerpt”. Newest Episode: -east +Are+You+Waiting+For_+%5BPSP+43%5D. mp3. Here are some small tips that I hope will help you study “La scala di seta” by Rossini. I leave you my version, which I played when I was oboe.

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The Barber of Seville William Tell. Some versions have you playing it with the flute another with the piccolo.

Oboe: Rossini: Overture to La Scala di Seta (m 6 until [3]) – Orchestra Excerpts

But excellent sensible advice! House of Opera Cat: From tothe young Rossini composed four Italian farsebeginning with La cambiale di matrimonio The Bill of Marriagehis first opera, and ending obpe Il Signor Bruschino. This method requires the player to work on the difficult section multiple times in succession. I think you guys hit this right on the head! If you want you can leave us your comment with more ideas of posts that interest you.

La scala di seta (Rossini, Gioacchino)

It is really helpful. You have to be especially careful with the precision of the rhythms and the tongue. One thing I would like to see is the edition that you used because I have seen several different editions with different printed articulations.

He suggests that Dorvil might care to hide and see how successfully he is able to woo Giulia. If you are doing all sca,a work it aeta be nice to know that it would correspond to the version the rest of the orchestra is playing especially when the fast theme returns at the recapitulation.


We will first put our attention on the fingering and for the moment we forget the articulation. This site is such a good resource and it’s Thank you, a very good contribution to my oboe lessons! This entry is for oboists who already maste r doubl e tongue.

These types of short pieces were popular in Venice at the end of the 18th century and the beginning of the 19th century.

Try to find different rhythms. This can achieve practicing the fast technical passages with as much slurring as possible so that the fingering challenge is being isolated and addressed without the interference of the tonguing actions. December 15, – 5: Think that this is a job of months or even years. The rhythmic options are endless, whether you use simple or double tongue.

October 26, – 8: It also allows us to identify which passages offer greater difficulty for fingering and work them in a more focused way. Giulia decides to probe Blansac to see if he would make a good and faithful husband for her cousin.

Royal Concertgebouw Orchestra Lq Take Care of Yourself, But Crush When we find excerpts of this type, the most effective is to work the problems separately to later join them. Once again the servant Germano is on hand and realizes that his mistress has an assignation. You can also mix different articulations. Needless to say it is always essential to work with the metronome. You can use as many rhythms as you can imagine, but it always has to be very precise.

Either written or recorded. By using this site, you agree to the Terms of Use and Privacy Policy. Unfortunately this only has the effect of making Blansac more determined, and more confident of success. The Barber of Seville film. Giulia intends to bring Lucilla and Blansac together, and persuades Germano to spy on them from a secret hiding place to see how the relationship develops.


PSP 08 April 22, – 4: How do I move on? Sxala compared to many genres of opera, acting and comedic talent is more important relative to the required singing ability. By practicing in this manner the candidate may more clearly identify which fingering shift may still require additional attention. The author chose to approach this deta by demonstrating a few sdta fingering practice methods using selected audition excerpts.

The pieces were intimate, with a cast of five to seven singers, always including a pair of lovers, at least two comic parts, and one or two other minor roles. Portrait of the composer.

La scala di seta – Wikipedia

Berliner Philharmoniker Piero Gamba: Views Read Edit View history. This will help to avoid the confusion that any tonguing problems may contribute in a fast fingering section. Do not try to increase the speed of the metronome very fast. Here are some rhythmic examples that you ka apply to both fingering and articulation exercises.

Joseph Robinson, principal oboist of the New York Philharmonic, suggests that the use of a metronome is critical to maintain an excellent level of preparation. Leave a Reply Cancel reply Your email address will not be id.