Sonata for Trumpet and Piano was premiere at the NASM convention by J. Frank Elsass, a colleague of Kennan’s from the University of Texas. By Kent Kennan. Trumpet Part(s). A B-Flat Cornet (Trumpet) solo with piano accompaniment composed by Kent Kennan. This title is available in SmartMusic. Buy Sonata for Trumpet and Piano (Trumpet Solo w at Trumpet Sheet Music. A great and Piano. Kent Kennan – Alfred Publishing Co., Inc.
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Some analyze this movement as being in sonata form, while others analyze it as being tdumpet rondo form Dearden The piano has this theme at first underneath the trumpet, then they switch and the trumpet has the inverted form of the first theme while the piano plays something totally different Dearden It trujpet based on the secondary theme and uses accents to make the meter difficult to figure out by simply hearing it Dearden The rest of this movement is based largely around this main theme Dearden Kennan composed his last major work in at the age of 43 and largely abandoned composition, writing only occasional small pieces and devoting himself to teaching and educational writing.
The second theme has the same character as the first theme, but it is melodically based on the intervals of triads instead trumpt the main motive that hrumpet introduced in the first movement Dearden This theme is only in the piano part Dearden The last time that the first theme returns, it is in an inverted form and played in the piano while the trumpet is playing something totally different Dearden When the trumpet part has a long note or rests, the piano has a more elaborate part to kennsn the music interesting Dearden In the coda, the trumpet is playing with a harmon mute and playing G, the dominant of C, kenjan the last measure, when the line finally resolves to the tonic Dearden This is followed by a restatement of the main theme in a new key and at a slow tempo, making it lyrical at first, then transitioned to the original tempo and style Dearden The third theme is a chorale in G that begins in minor and ends in major Dearden Movement III — Moderately Fast, with Energy Some analyze this movement as being in sonata form, while others kenan it as being in rondo form Dearden Works Cited Dearden, Jennifer Lorien This entry was posted on Thursday, April 30th, at 3: Kennan wanted to write in a similar style of those who he admired, so he modeled his writing style after Paul Hindemith and Howard Hanson, a teacher of his McNamara University of North Texas, They knew each other while Kennan was composing the piece, so Elsass gave Kennan some advice about writing the kennam part since he was a trumpet player and a former cornet soloist Dearden The Recapitulation All of the themes from the exposition are written in the recapitulation Dearden The Coda The transition into the cods is mostly based on the transition theme from earlier in the movement Dearden The fanfare leads into the slurred motive that is mostly comprised of eighth notes Dearden Kennan meant for the trumpet and ttumpet piano to be fairly equal in this piece, so trumpet players need to be aware of this and play trumpeg McNamara It is also the only theme that stays centered around a tonic in the entire movement Dearden Retrieved from ” https: You can follow any responses to this entry through the RSS 2.
Trumpte Night Soliloquy was written in and is set for solo flute, piano and strings.
This movement also has a short kfnnan theme Dearden Movement II — Rather Slowly and with Trympet The second movement begins with a piano introduction that is made up of a G that stretches to three octaves Dearden This page was last edited on 8 Novemberat From Wikipedia, the free encyclopedia. None of these keys state a third, so there is no way to tell whether they are major or minor, just like in the first movement Dearden